Soojin Chang: Cradles + Totems = Negotiations + Censorship
Hassan Vawda
Hassan Vawda | Cradles + Totems = Negotiations + Censorship
Hassan Vawda | Cradles + Totems = Negotiations + Censorship
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Soojin Chang and Melz Owusu In Conversation
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Kayo Chingonyi | The Cape and the Cloak
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Undine Sellbach | ‘Why should our bodies end with our skin?’ Intergenerational longings, dislocations and waiting in BXBY
Transcript of the audio recording of artist Guy Oliver in conversations with award-winning journalist Rachel Cooke, on 12 November 2020.
'One of the quirks of hindsight is that while it renders the errors and habits of the past in sharp and often unforgiving focus, the greater perspective it is supposed to afford doesn’t automatically illuminate the best path forward.'
Steven Bode introduces the Jerwood/FVU Awards 2020: Hindsight
'When I hear the word ‘problematic’, I imagine someone building an attic on top of a problem, so they can hide there and avoid trying to solve the problem.'
Artist and writer Louise Ashcroft ponders the conflicting voices in her head as she watches Guy Oliver's You Know Nothing of My Work.
'What was once an event now becomes the horizon itself, obscuring its own contingency – it becomes natural, the world as all that can be the case. How to exit this world, governed or dreamed in this way?'
Artist and writer Adnan Madani explores the allegorical within Reman Sadani's Walkout 1.
Laurence Scott writes on Alice May William's Dream City – More, Better, Sooner and Karen Kramer's The Eye That Articulates Belongs on Land
